The Actors
for four oboes (or multitrack oboe) and accordion
Written for: Federico Foria, Sofie de Klerk (from ensemble Odd7)
Debut performance: installation performance as part of a music exhibition at Royal Academy of Arts in May 2017, The Hague
Five Times Recycled
for bass flute and two cassette recorders
Written for: Ivan Bushuev (from Moscow Contemporary Music Ensemble)
Debut performance: Moscow Philharmonic, as part of the International Academy for Composers in Tchaikovsky City, Moscow (RUS), September 2019
Ninety-Five
for flute, clarinet, violin, violoncello, organ, harmonium, percussion
Written for: Ives ensemble, Slagwerk Den Haag, Ere Lievonen
Debut performance: Orgelpark, Amsterdam (NL), April 2017
Staircase Wit
for bass flute, bass clarinet, tuba, double bass, harp, vibraphone and cimbalom
Written for: Ensemble of Lucerne Festival Academy Alumni
Debut performance: Lucerne Festival Composers Academy, August 2018
L’esprit de L’escalier
for acoustic guitar, violin, violoncello and double bass
Written for: Hodiernal Quartet
Debut performance: at Studio Loos in June 2017, The Hague (NL)
Tracing
for accordion and violoncello
Written for: Duo Bayanella, Commissioned by Listenpony Ltd.
Debut performance: Listenpony concert in January 2018, London (UK)
Listen to Tracing on Spotify
cleared air & delicate dust
for string quartet
Written for: Quatuor Bozzini (Composer’s Kitchen 2018)
Debut performance: Gaudeamus Muziekweek September 2018
Mamela Mamela Mamela (Listen, listen, listen)
for solo violin
Written for: Lieva Starker, violinist
Debut performance: Lieva Starker’s EP Weerspieëlings , recorded and released in April 2017, Birmingham (UK)
Refleksie I
for accordion and harp
Written for: The Gouden Ganzenveer ceremony, as a tribute to the work of award (on request by) award recipient Antjie Krog (in collaboration with Antoni Schonken and Arthur Feder)
Debut performance: Amsterdam, April 2018
Untitled 2
for marimba, four thunder sheets and live electronics
Written for: Jonathan Bonny, percussionist
Debut performance: Experimental Instrumentation and Media Performance Lab with composer Hugo Morales, The Hague (NL)
Dololo (Nothing)
for flute, guitar, violin, viola, violoncello and percussion
Written for: New European Ensemble
Debut performance: Het Nutshuis, January 2016, The Hague (NL)
Taru (Mercy)
for voice, viola, violoncello (and fixed media in some versions)
Written for: Lunathi Ncamini, Odeion String Quartet
Debut performance: SASRIM Composers Meeting August 2016, Bloemfontein (RSA)
Meandering: The Running Shoes Blues
for symphony orchestra
Written for: The Residentie Orkest, The Hague – “Meanwhile in the City” project
Debut performance: Residentie Orkest, Zuiderstrandtheater The Hague, March 2018
‘Work For Five’
for wind quintet
Written for: Students of the Royal Conservatory The Hague
Debut performance: Spring Festival April 2017, The Hague (NL)
‘Pacing’
for marimba, piano, double bass, thunder sheets and live electronics
Written for: Frank Mallows, Brydon Bolton, Coila Enderstein (Commissioned by New Music SA)
Debut performance: Unyazi Electronic Music Festival July 2016, Cape Town (RSA)
‘SA Portrait’ for piano trio
Written for: Amatis Piano Trio
Debut performance: Tivoli|Vredenburg January 2016, Utrecht (NL)
Lise Morrison 